![]() ![]() MoviePass is hoping to eventually become profitable by selling more advertising. The company also just teamed with bankrupt radio company iHeartMedia ( IHRTQ) to let people see four movies a month for 3 months and get a 3-month trial of iHeartRadio's All Access on demand service for $29.95. It now has a special limited-time $6.95 a month plan for new subscribers. Related: Blockbuster deal! MoviePass buys Moviefoneīut that hasn't stopped MoviePass from offering even more gimmicky promotions. The company's "going concern" warning seems to confirm that. Nonetheless, investors are clearly worried that the company's low-priced plans are too good to be true. It announced in February that it had 2 million subscribers, just one month after it topped the 1.5 million mark. MoviePass has grown rapidly over the past few months. ![]() ![]() The stock is now down more than 60% this year. Reeves added that these lenses provided that 70s texture that was inspiring the look of the film and would immerse the audience visually into the world of The Batman and give them the visceral side of the film Reeves and Fraser were going for.Helios and Matheson Analytics announced Thursday it was selling $30 million worth of new shares through warrants that valued the stock at $2.75 a share - nearly 30% below the stock's closing price of $3.83 on Wednesday.Īll this bad news has caused shares to plunge more than 40% since Monday. “Those are some pretty messed up lenses,the camera house said they were broken.” Reeves told the Dolby Sound and Image Lab podcast, “The edges of the frame were completely distorted, and sometimes the focus was on the weirdest part of the frame.” Reeves and Director of Photography Greig Fraser, took the Helios and Jupiter 9 lenses, which were provided by IronGlass Adapters and Vintage Lens for video, were put onto the Alexa LF cinema camera and then tested by shooting footage of downtown Los Angeles at night and see what Gotham could look like. The rehoused lenses also enabled the filmmakers to shoot with PL mounts and be lighter than regular anamorphic lenses. ![]() The process of rehousing the lenses isn’t discussed much in detail in the video above, only that the lenses are identical to the still image variant, with the guts of the lens being transferred in a cine style housing. “The idea was, how can we use the texture of the lenses, the texture of the film, all of these things, in order to take the pristine cleanness of digital and introduce them in a way to make you feel the atmosphere of this place.” – Matt ReevesĪccording to cinematographer Matt Holtz, the Matt Reeves directed film also used the Jupiter 2, and both lenses (which Holtz dubs “BatGlass”) not only made it possible to mount the cameras practically to both cars used in the chase but also because they had similar characteristics to the main detuned anamorphic lenses used for the rest of the film. The action-packed sequence relied on the rehoused Helios because of its compact, lightweight design and its gritty spherical look. New has finally come out that the latest Warner Bros./DC superhero film The Batman used vintage Helios 44-2m lenses to film the pivotal car chase scene between the Batman and the Penguin. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |